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When looking to the future , it can experience impossible to make a conflict as just one person in a earth of millions ; but when like - disposed hoi polloi get together together for the common good , change is always possible . We can ensure a brighter future tense by telling our stories , see from the chronicle of others , and then figure out together towards positive change . By building off of our corporate experiences , we gain a unified imagination for the future .
The following is an excerpt fromFrom What Is to What Ifby Rob Hopkins . It has been adapted for the web .
We postulate to become better storytellers in such a way that we can , through a change of metier , give hoi polloi a visceral sense of what a confirming future would fathom , perceptiveness , feel and appear like . We need to create stories where the kind of future we require to see becomes commonplace , everyday . We need to tell level with an fundamental mother wit that the bare telling of them can create a level of inevitableness about their becoming a reality , and a horse sense that speaking them out loudly is also of great welfare to our own mind , a powerful antidote to despondence and harm .
When I spoke with James McKay , I asked him how expend the retiring ten year drawing and giving visual form to a hopeful , prescribed vision of the future had affected him in person . He told me , “ I came from a place where I was fabulously bleakly pessimistic . I did n’t have any hope . I was originally interested in see the optimistic side almost as a thought experimentation workout to break out of that thought mental process . . . . I ’ve had to be optimistic , but I ’ve found that through that , I ’m now quitepassionately optimistic . ”
We require to say these stories in a blanket sort of media : in plastic film , podcasts , drawings , graffiti art , terpsichore , fun , novel , medicine . These all help to familiarize us with the future they are portraying in dissimilar fashion . We need also to utilize stories to bring to living the futurity that will be inevitable if we do n’t modify how we do things , and to digest people in lease go of and grieve for the things we are lose around us in good order now .
We need to make intentional space for citizenry to separate , share , or co - create these stories , spaces that are well facilitated and feel good and inviting . We need to ground them in people , in character we recognize , in places we greet . Our level demand to essay to verbalize to our deep memory board , our bone memory , the thing that fundamentally move and have-to doe with people , that really resonate . They involve to make utilization of foreshadowing . And most important of all , we require to tell them as often as we can .
Every full of life and much needed conversation with multitude about the gravity and musical scale of the challenge we and the born world face should also include a taste of how it could be , a story of the future tense we could yet make . Every manifestation which seeks to raise awareness of or physically put itself in the way of the spheric challenges or finicky manifestations of them should also be a celebration of the world we could yet create . The demonstrations at Standing Rock , for example , which tried to jam the Keystone XL pipeline , mock up the grace , inclusivity , truthfulness and dignity that will be a key feature of the world they were striving to create . The Extinction Rebellion demo in London in April 2019 created occupied outer space full of trees , conversation , connector , intellectual nourishment and call which had a profound impression on those bring part , those passing through , and on the police officers who policed it . Telling these story skillfully and urinate them everyday will make a overconfident , connected , celebratory future feel inevitable .
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Change Ourselves , interchange the World
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From What Is to What If
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